A sensitive conservation project on the cathedral cloister stonework. This Romanesque gem suffers from a stone pathology requiring rigorous analysis and specific measures suited to the initial state of each element. With this criterion, three sets of procedures were deployed: clearing and removal of previous
Complete restoration of the lower sacristy, for the Culture Ministry. The tasks included cleaning, salt extraction, and replacement of missing portions, with extensive stonemasonry work using lime mortars, from the dome lantern to all of the walls and floors. The masonry was then restored and
Our team of specialists restored the cathedral choirstalls built by the master carpenter Rodrigo Alemán in the 15th and 16th centuries. The Flamboyant Gothic walnut stalls have an extraordinary decorative wealth of carvings and inlays and numerous reliefs of great iconographic richness. The choirstall parts
The 16th-century Mondragón Chapel has a near-rectangular floor plan with a sacristy on one side giving access to a spiral staircase leading up to a gallery. The chapel’s most striking and original feature is its altarpiece. Unlike typical wooden or, less commonly, stone altarpieces, this
This cathedral, consecrated by Saint Julian, second bishop of Cuenca, was built over the town’s former Arab mosque. On a Latin cross plan with a nave and aisles, a double ambulatory, and a deep chancel, it is regarded as the earliest Gothic cathedral in Castile.
This cathedral, episcopal see of the diocese of Almería, is a magnificent example of the transition from late Gothic to Renaissance in 16th-century Spain. Also known as the Cathedral of the Incarnation, it was built from 1522 after the fateful earthquake that devastated Almeria, under
Refurbishment of the facades and roofs of the Cathedral of Santa María la Menor in the historic center of Santo Domingo, Dominican Republic, by our team of restorers. The work involved cleaning of wall surfaces, renewal of missing jointing in ashlar masonry with lime mortars,
Parish that belonged to the convent of the Carmelitas Calzados erected in the seventeenth century by the architect Miguel de Soria. KALAM was commissioned to carry out successive phases of intervention in the main transept, sacristy and antero-christy, as well as in the parochial dependencies.
This 17th-century convent, also known as Monastery of Saint Ignatius Martyr, has a Baroque church with its nave spanned by a barrel vault and its transept crowned by a dome, whose pendentives contain images of Saint John of the Cross, Saint Elias, and another Carmelite
The Carmelite convent of San José is a typical 18th-century structure, designed by Fray Alberto de la Madre de Dios and erected by the Madrileño master builders Francisco del Campo and Jerónimo Buega. The convent had major foundation faults causing it to subside toward the
